little gods
There’s this fascinating conversation in Jesse Ball’s novel The Curfew. The scene is an undefined dystopic future, as so many seem to be, where a faceless government has assumed dictatorial control over an unnamed city. The people live in constant fear and anxiety, never going out after dark, always being careful not to cause any sort of ripple that might be noticed by the powers that be, living lives of weary resignation, whispering along the edges of shadows that never disappear. William lives with his young daughter Molly and makes his living as an “epitaphorist,” which entails visiting people whose loved ones have died or been killed, consulting with them about the words they want to adorn the gravestones of the deceased. Read more