Religion as Interior Decorating

Because it is loosely related to themes under discussion here over the last little while, and because it is a pretty accurate reflection of current religious appetites (especially here on the west coast), and because it is pretty amusing, and because, well, I just like posting David Bentley Hart quotes:

We certainly… do not draw near to the “mystery of God” with anything like the fear and trembling of our ancestors, and when we tire of our devotions and drift away we do not expect to be pursued, either by the furies or by the hounds of conscience.

This is especially obvious at modern Western religion’s pastel-tinged margins, in those realms of the New Age where the gods of the boutique hold uncontested sway. Here one may cultivate a private atmosphere of “spirituality” as undemanding and therapeutically comforting as one likes simply by purchasing a dream catcher, a few pretty crystals, some books on the goddess, a Tibetan prayer wheel, a volume of Joseph Campbell or Carl Jung or Robert Graves, a Nataraja figurine, a purse of tiles engraved with runes, a scattering of pre-Raphaelite prints drenched in Celtic twilight, an Andean flute, and so forth, until this mounting congeries of string, worthless quartz, cheap joss sticks, baked clay, kitsch, borrowed iconography, and fraudulent scholarship reaches that mysterious point of saturation at which religion has become indistinguishable from interior decorating.

Then one may either abandon one’s gods for something new or bide with them for a time, but in either case without any real reverence, love, or dread. There could scarcely be a more thoroughly modern form of religion than this.

I wonder if this entire passage could be rewritten substituting Christian kitsch for the more exotic artifacts Hart mentions? The furniture and the the knick-knacks might look different, but I wonder how different the net effect is…